Just one of those things that I always wondered about. Stags and otters are all very well, but what if you end up with a tiny chameleon or giant blue whale? I mean, it could be a giant tub of nutella…
Anyway, so glad I got around to doing this pic -drawing the less attractive animals was awesome.
Popped it up on Redbubble because they have tote bags and cushions now which is just wow - can grab it also on cards or posters - check it out here!
I just made the most inhuman noise
WHEN IT REALIZES THE PERSON IS STILL THERE AND GOES BACK TO BEING ‘DEAD’oh my god
“She was still a girl, a slight lovely girl who lay in bed and ate chocolates, a girl whose hair smelled like hyacinth and whose scarves fluttered jauntily in the breeze. But strange and marvelous as she was, a wisp of silk in a forest of black wool, she was not the fragile creature one would have her seem.”
Or, “the negative treatment of Slytherin House in canon.”
To me, “the Problem of Slytherin” (which I’ve nicknamed based on the infamous “Problem of Susan” from CS Lewis’s Narnia) is one of the major flaws of the series. Not as bad as my issues with DH, certainly, but something that detracts from the series as a whole.
Again, this is a somewhat unpopular opinion: there are plenty of people who feel that the portrayal of Slytherin was fine as-is, many who argue that it was inevitable because of the books’ first-person Gryffindor-centric POV, and some people who believe that an ambition-oriented House is more likely to produce evil people than one that values intelligence/wit, hard work/patience, or bravery/fame, particularly given Salazar Slytherin’s penchant for conflating greatness and blood purity, making a House that seems pre-made for prejudice.*
*I think that Slytherin’s orientation on blood-purity could have been written as something that was a rational response to his historical period, but I don’t think that JKR intends it to be viewed that way. If mass persecutions were occurring and lots of wizards were dying, then you could make a case for hiding/not accepting Muggle-borns - but again, this is something that’s more grounds for an AU fic based on what we know of Rowling’s Wizarding history, in which witch-hunting/problems didn’t get to be significant until three to four centuries after the Founders’ era, and in which the dangers weren’t that significant in any case. (Yes, that’s no consolation to Nearly Headless Nick, but we’re led to believe that persecutions weren’t that terrible a danger in the great scheme of things. In canon, Salazar Slytherin is not Wizarding Magneto, who believes that wizards need to create a wholly separate society of their own because the real world has given them concrete evidence they’ll never be accepted otherwise - although, again, I do believe that Salazar Slytherin-as-Wizard-Magneto, a man with some valid points but extreme views and methods, could successfully exist in fanfic.)
But, even given the idea that Slytherin held an indefensible, reactionary opinion for his own time, I believe that the books could have - and should have - written Slytherin differently. Because, as it is, there is a huge problem with the general portrayal of Slytherin characters, and, moreover, with the idea of House Unity and that entire theme, which became so important in OotP.
This is long, so I’m placing it behind a cut.
What were your inspirations, especially since [Tauriel] is a completely created character; what brought you to bring that power because there were a lot of ways you could have played that role that would have been along the lines of what we usually see for a girl in an action movie where she’s not in the adventure, she’s the prize…?
APOLLO & ARTEMIS: THE LETOIDEStwo beautiful twins, harsh as the sun, soft as the moon.(for the great christa)
the secret history